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Affiliation to an institute |
Code |
Indication  |
Indication  |
Funcition |
Keywords  |
Keywords  |
ESC |
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English-Speaking Cultures
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Member |
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Affialation to a work group |
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Humanities and social sciences
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» Literary Studies
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Researchers with cooperation |
Institution |
City |
Category |
Country of origin |
University of Guelph |
Guelph |
University abroad |
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Universität Oldenburg |
Oldenburg |
University Germany |
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Most significant projects |
Code |
Indication  |
Indication  |
Cooperation partners |
Funding sources/agencies |
Term |
M 6 |
|
Colonial and Postcolonial Studies |
Linguistik und Germanistik der Universität Bremen |
BMBF |
2014 - 2019 |
FMS |
|
Fiction Meets Science |
Universität Oldenburg, Universität Bielefeld |
Volkswagenstiftung |
2013 - 2016 |
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Agencies that have funded your research during the past five years (public institutions and foundations) |
» University of Bremen/Central Research Development Fund » DFG » Volkswagen Foundation » Other Foundations » State of Bremen (without basic finance) » International Organizations/Programs
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Funding sources during the past five years (enterprises) |
Company name |
Country of origin |
Term |
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Expertise |
My main fields of research are British Literature, Australian and Canadian culture, Shakespeare adaptations, and film studies. I have recently developed a profound interest in the history of science and fictional representations of the natural sciences. In July 2013 the research team's proposal was accepted by the VW Funding Initiative Key Issues for Research and Society.
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Publications (Hyperlink) |
http://www.fb10.uni-bremen.de/lehrpersonal/schaffeld.aspx
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Most significant Publications |
"Revisiting Shakespeare: Elizabeth Rex as Filmic Metatext".
|
Type |
Author(s) | Norbert Schaffeld | Year | 2012 | In | Adaptation and Cultural Appropriation: Literature, Film and the Arts | Pages | 101-116 |
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Book Chapter |
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Shakespeare's Legacy: The Appropriation of the Plays in Post-Colonial Drama
(Publisher)
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Type |
Author(s) | Norbert Schaffeld | Year | 2005 |
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Edited Volume/Special Edition/Periodical |
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"Shakespeare's Canadian Sister: The Emergence of a Female Playwright in Ann-Marie MacDonald's Comedy Goodnight Desdemona (Good Morning Juliet)"
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Type |
Author(s) | Norbert Schaffeld | Year | 2001 | In | Literaturwissenschaftliches Jahrbuch | Year | 42 | Pages | 285-301 |
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Article |
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A Future with a Past: Historische und ideengeschichtliche Grundlagen des Australian Dream und seine Spiegelung in der Literatur
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Type |
Author(s) | Norbert Schaffeld | Year | 1997 |
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Monograph |
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Die Darstellung des nationalsozialistischen Deutschland im englischen Roman
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Type |
Author(s) | Norbert Schaffeld | Year | 1987 |
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Monograph |
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First Ph.D. supervisor |
Title of the dissertation |
First name Last name |
Sex |
Year |
Bridging the Gap: Shakespeares Hamlet auf den anglo- und frankophonen Bühnen Kanadas in der Zeit nach der Révolution tranquille |
Öcal Cetin |
männlich |
2012 |
'Unsex me here': Gender und Raum im zeitgenössischen Shakespeare-Film |
Jennifer Henke |
weiblich |
2012 |
'I Believe in the Power of Theatre': British Women's Drama of the 1980s and 1990s |
Kathleen Starck |
weiblich |
2003 |
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Second Ph.D. supervisor |
Title of the dissertation |
First name Last name |
Sex |
Year |
Status |
Bezeichnung Uni |
Die Konstruktion des Rassediskurses in deutschen Englisch-Schulbüchern der Sekundarstufe II |
Jule Bönkost |
weiblich |
2011 |
Uni Bremen |
|
Darkness Subverted: Aboriginal Gothic in Black Australian Literature and Film |
Katrin Althans |
weiblich |
2009 |
other University |
Universität Bonn |
Die Darstellung Kanadas im literarischen Werk von Margaret Atwood |
Anke Karrasch |
weiblich |
1995 |
other University |
Universität Wuppertal |
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First habilitation reviewer |
Title of the habilitation |
First name Last name |
Sex |
Year |
Reading Shakespeare in Transcultural Adaptations |
Cecile Sandten |
weiblich |
2006 |
Einwanderung und Politik: Historische Erinnerung und Politische Kultur als Gestaltungsressource |
Christiane Harzig |
weiblich |
2001 |
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Conferences organized by you during the past five years |
Titel |
Year |
Hyperlink |
Being Young and Growing Old in Canada |
2014 |
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Fiction Meets Science |
2012 |
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The Far North |
2010 |
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Who Speaks Canadian? |
2009 |
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Visiting Scientists |
Name |
Term |
Institution of origin |
Country of origin |
Don Bruce |
WS 2011/12 |
University of Guelph |
Canada |
Henry Beissel |
SoSe 2012 |
Concordia University |
Canada |
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| 
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Professor Dr. Norbert Schaffeld holds the chair of English Literature at the University of Bremen and he is co-director of the Bremen Institute of Canada- and Québec-Studies (BICQS). He previously taught at the universities of Wuppertal, Essen, Leipzig, and Jena. He has conducted research at Australian, Asian and Canadian universities, including: The University of Sydney, The National University of Singapore, The University of Toronto, and the University of Guelph. His main fields of research are British Literature, Australian and Canadian culture, Shakespeare adaptations, and film studies. He has recently developed a profound interest in the history of science and fictional representations of the natural sciences. In July 2013 the research team's proposal was accepted by the VW Funding Initiative Key Issues for Research and Society.
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